Ah yes, postcolonial theory. Whenever I think of that phrase I then think of that cartoon with Britain having its tentacles all over the rest of the world. I am pretty sure that was drawn in the early 1900s. I also think of the dark history of Belgian's King leopard II and his "Congo Free State." As much as I absolutely hate that way of thinking, it is interesting to think of it as a literary criticism. There is even quite a bit of this tied into Wilder`s "Long Christmas dinner." Since it takes place over 90 years, there is plenty of settler vs non settler and industrialization making its way into other countries. Like the aluminum business in China for instance. I didn't actually realize there was so much colonization/settler vs non settler until our director explained it to us.
Approaches to Literature
Friday, April 27, 2018
Intertwined
This week the two theories we went over go rather well together. In "Shooting an Elephant" the main character is so obsesed with how he portrays himself infront of the crowd that he lowers himself into doing something he doesn't want to do. All because he doesn't want to be ridiculed any more than he already has. All throughout history there are accounts of people living in places where they are the outlier to live with people who do not want them there. Most of it being because of colonization or to 'tame the uncultured' because they think they're better than everyone else. I think Race theory coincides with this really well because different races have been oppressed throughout time, causing discord among people. The lack of recognition towards people left behind is slowly growing smaller, and I do think it has improved, but we are still a long way off from being completely unbiased between races.
I gave up on a picture
I gave up on a picture
A Worldly Perspective
A quote that stood out to me from "Situating Race" is that
"critical race theorists emphasize the ways in which racism is normalized in US culture, such that the principles of liberalism are not adequate to address its distortions. In particular, critical race theorists question the view that color-blind or 'formal' conceptions of equality can actually remedy the effects of a pervasive and deeply rooted social racism" (Rivkin and Ryan, 5).
The majority of the information presented and studied from the articles on race theory have pursued perspectives of race from the US. However, what do you think race theory means to those in other countries, or what thier perspective on race would be? Does it differ from our social concept of race, or are their mostly similarities? How do you know?
Countries
http://digital.vpr.net/post/why-world-split-countries#stream/0
In addition, a quote that also caught my attention is from "The Social Construction of Race," where Lopez states that "greater genetic variation exists within the populations typically labeled Black and White than between these populations" (10). Does this mean that different groups further box themselves into separate categories within the overarching group they identify with? Are there any examples you know of where this concept exists?
Thursday, April 26, 2018
lengthy_post.docx
I've been trying to figure out why I was relatively silent throughout our critical race theory day compared to postcolonial theory day.
Sure, I admit that I struggled with toeing the line between political debate and literary application, which may have deterred me from speaking my mind (this being an English class). Maybe I felt unmoored and unsure of where to even begin to tackle the enormous issue. Though I've made no conclusions, I think it may be because I thought of it as an ISSUE rather than a THEORY.
The following is not a criticism of Dr. MB's curriculum, but perhaps more of a critique of the literary curriculum at large:
I feel like we do a disservice to these various identity theories by limiting them to a day's worth of discussion. Merely acquainting ourselves with the "tip of the iceberg" isn't enough for such universal theoretical lenses; identity theories pervade nearly every culture around the world, and deserve to be applied to literature as thoroughly as close reading or deconstruction. Qualifying them as academic theories makes them less scary than if they were social issues.
I know there is only so much time to learn in one semester, but I guess what I'm trying to say is by limiting time spent on these social/identity-based theories we risk relegating them to a) uncomfortable topics or b) that weird place in-between discomfort and willingness to discuss (read: political issues) rather than different ways to analyze literature.
This is me trying to figure out what the hell I'm trying to say:
Sure, I admit that I struggled with toeing the line between political debate and literary application, which may have deterred me from speaking my mind (this being an English class). Maybe I felt unmoored and unsure of where to even begin to tackle the enormous issue. Though I've made no conclusions, I think it may be because I thought of it as an ISSUE rather than a THEORY.
The following is not a criticism of Dr. MB's curriculum, but perhaps more of a critique of the literary curriculum at large:
I feel like we do a disservice to these various identity theories by limiting them to a day's worth of discussion. Merely acquainting ourselves with the "tip of the iceberg" isn't enough for such universal theoretical lenses; identity theories pervade nearly every culture around the world, and deserve to be applied to literature as thoroughly as close reading or deconstruction. Qualifying them as academic theories makes them less scary than if they were social issues.
I know there is only so much time to learn in one semester, but I guess what I'm trying to say is by limiting time spent on these social/identity-based theories we risk relegating them to a) uncomfortable topics or b) that weird place in-between discomfort and willingness to discuss (read: political issues) rather than different ways to analyze literature.
This is me trying to figure out what the hell I'm trying to say:
Maybe I'm better at Q&Q than Paragraphs
Source:https://i.redd.it/j51a17rxq7801.gif
♫ Don't wanna rule the world, just wanna run my life ♫
(I couldn't get Janet Jackson's Control out of my head while writing this, sorry for long title.)
((the worst part is it's not even the Janet Jackson version in my head, it's the Glee version.)
From Culler, the quote/question that stood out to me most was "The question of the subject is 'what am "I"?' Am I made what I am by circumstances? What is the relation between the individuality of the individual and my identity as member of a group? And to what extent is the 'I' that I am, the 'subject', an agent who makes choices rather than has choices imposed on him or her?"
This quote immediately made me think of the little exercise we did in class where we wrote down things that we are. The part of this quote that caught my attention the most was the last part, about how many decisions we make on our own rather than have decisions forced on us. My personal opinion is that we give ourselves the illusion of being in control most of the time, that's what we want to think, but how in control are we actually of our own choices and, in turn, our identities?
((the worst part is it's not even the Janet Jackson version in my head, it's the Glee version.)
From Culler, the quote/question that stood out to me most was "The question of the subject is 'what am "I"?' Am I made what I am by circumstances? What is the relation between the individuality of the individual and my identity as member of a group? And to what extent is the 'I' that I am, the 'subject', an agent who makes choices rather than has choices imposed on him or her?"
Me being fine and totally in control of my life
https://newrepublic.com/minutes/140844/air-pollution-doesnt-kill-people-revelations-conservative-political-action-conference
Boxed in?
I did a little more thinking on what we were talking about the other day, about the harmful effects of stereotyping minority groups, (sometimes as a result of good intentions). I found this quote and I thought it was interesting, it made me think of all the news about Kanye and Chance the rapper this week. It also reminded me a lot of the postmodernism blackness article we read.
Courious to hear your thoughts classmates?
Courious to hear your thoughts classmates?
The Center Within Us
I think this quote by Culler works to describe both the issues and questions Postcolonial Theory and Critical Race Theory seek to answer and change: "If the possibilities of thought and action are determined by a series of systems which the subject does not control or even understand, then the subject is 'decentred' in the sense that it is not a source of center to which one refers to explain events" (110).
So, how do these theories' focus on identity re-center a person/group/culture, both as a part of it but separate in its own right? Culler mentions how other theories like Psychoanalytic Criticism have reduced the core of a person to desires and circumstances, leaving the individual just a result of these parts (race, gender, sexuality, etc.), important only to showcase these things. How do these theories differ from this whittling down of center? Especially when its focus relies on these uncontrollable circumstances and society's conceptions and reactions to it?
https://www.fizzletop.com/wp-content/uploads/2017/07/center-universe-696x392.jpg
Also:
https://m00ch.files.wordpress.com/2010/08/angelswithdirtyfaces-18.jpg
So, how do these theories' focus on identity re-center a person/group/culture, both as a part of it but separate in its own right? Culler mentions how other theories like Psychoanalytic Criticism have reduced the core of a person to desires and circumstances, leaving the individual just a result of these parts (race, gender, sexuality, etc.), important only to showcase these things. How do these theories differ from this whittling down of center? Especially when its focus relies on these uncontrollable circumstances and society's conceptions and reactions to it?
https://www.fizzletop.com/wp-content/uploads/2017/07/center-universe-696x392.jpg
Also:
https://m00ch.files.wordpress.com/2010/08/angelswithdirtyfaces-18.jpg
Just a quote!
"Do you know what it feels like to be black? To pop lock your way in and out of hugs, it is not a problem you want to sympathize, but to tell me you know my pain is to stab yourself in the leg cause you saw me get shot. We have two different wounds and looking at yours does nothing to heal mine." --Darius Simpson
So I lied. . . it's not just a quote. It's a quote from a poem!
((at least it's not a picture of a quote))
Well This Has Been An Eventful Week
Ok, so I'm gonna start off saying that covering two theories in one week made my head spin a little and I wish we had more time to spend on each one separately but oh well. I really found race theory interesting and I find that way of looking at a text not only interesting but insightful. I think it's useful for everybody to try to look at a text from different view points every one in a while. If we don't I feel like society won't really make much progress. How can we possibly know what another person is feeling? It's never possible but it means something to at least try. I have learned so much from this class by looking at texts, particularly the one I've been using for the critical reading papers, from the view of other theories and this theory is not different. There were some things I didn't really think much about before. I would love to explore this more, and I'm also really excited to learn more identity theories next week.
Source: https://giphy.com/gifs/tangled-rapunzel-12YXYjcczmQENy
Source: https://giphy.com/gifs/tangled-rapunzel-12YXYjcczmQENy
Representation and Production from Culler
While reading Culler’s chapter on
Race theory and writing a paper analyzing a story through the lens of both Post
Colonialism and Race theory, I have come across an interesting quote. “Does discourse represent
identities that already exist, or does it produce them?” What is true representation
and what is the creation of a queer, race, or ability diverse character/story
for the sake of fanfare? What is the line between equal true representation,
and the act of writing in “hollow” diverse characters for the sake of
diversity? Should these characters face adversity or be presented without it?
If these characters are always written with struggles of adversity do we as a
society perpetuate the oppression that they feel as a group? What is a piece of
text that seems to have a diverse character without any real “characterization”.
Pictured: Something someone that says they "just don't see color" speaking on diversity
(Source: https://media1.giphy.com/media/3ogsjUeIUkMzM5qIta/giphy.gif)
Subscribe to:
Posts (Atom)